Solvents must be allowed to evaporate completely from both print and mount before the two are brought into contact. These adhesives are available in liquid form for brushing or spraying and are suitable for mounting Galerie RC Digital Silver prints onto porous or non-porous mounts. Note: Always read the safety advice given by the manufacturers before using spray adhesives. Spray adhesives are suitable for mounting Galerie RC Digital Silver. Several makes are available in sheet or roll form. Some adhesive sheets allow the print to be repositioned after fixing. These provide a very effective and convenient means of mounting Galerie RC Digital Silver paper onto porous or non-porous surfaces, without the need for special machinery. Double-sided adhesive sheets/cold mounting films Although the manufacturers’ recommendations should be followed, most tissues will give good results in a dry mounting press at a temperature of 80-90☌ (144-165✯) with prints under pressure for about 30-40 seconds. 44M pearl surface whereas a foil overlay is recommended for glossy surfaces. The use of a silicone release paper is recommended for the. Galerie RC Digital Silver prints can be dry mounted in the usual way. Where prints are to be mounted for long periods (in excess of 12 years), the dry mounting method is recommended. Galerie RC Digital Silver prints can be mounted in one of the following ways. Make sure your monitor isn’t too bright as most monitors are too bright at their default settings.įile size should be 200-300 dpi at the output size for optimum quality. Our preferred format for this product is 8-bit Grayscale JPEG format images. The Darkroom’s black & white prints are printed on Ilford Galerie RC Digital Silver Paper.
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